Movie Winners

 

How Green Was My Valley

 

Rated: Unrated
Starring: Walter Pidgeon, Maureen O'Hara, et al.
Director: John Ford

Review

John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pigeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon

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This movie is impeccably crafted, written, performed, and directed. It's impossible not to be drawn in emotionally. Both HOW GREEN and Ford's pervious film, THE GRAPES OF WRATH, are realistic depictions of the effects of severe economic and social conditions upon a family. But while GRAPES centers more on the social conditions, VALLEY focuses primarily on the family itself. Indeed, it mourns the loss of family unity. The legendary Irish-American Ford was known for his gruff, crusty exterior, but pictures like this one show his sentimentality and his belief in the basic values of human life.

HOW GREEN WAS MY VALLEY is about a large, close-knit family, the Morgans, in a small Welsh mining town. The family is headed by a firm father and a gentle, wise mother, and comprises six sons and one daughter. The five grown sons are, like their father, coal miners, and it is their hope that the sixth son, sensitive and intelligent Huw (Roddy McDowall), will become a scholar. It is through Huw's eyes that the story is told. He looks back as an older man and reflects on his family, his valley, and its people.

He grows up in a time of change, watching in confusion as a secure way of life is altered for the worse by mine owners who overwork the mines and alienate the miners, leading his brothers to call for unionism, a concept which his father abhors. This is the central decision from which the other threads of this compelling story evolve, and the film is ultimately a beautifully moving drama, one of the best films about family ever made.

 

 

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